Monday, February 28, 2011

Book Review: 'The Forest of Sure Things' by Megan Snyder-Camp


The Forest of Sure Things by Megan Snyder-Camp, Tupelo Press, North Adams, Massachusetts, 2010. Review by Debrah Lechner. Poetry.


Structurally, the sequence of poems in The Forest of Sure Things follows the story of a family in the small town landscape of the Northwest coast as they try to locate their place in the world, their place among others and to create a home with each other. Ultimately, the real landscape is the quest to feel at home in one's own skin. The fierce beauty of sea and sky and earth merge with the always incomplete longing to apprehend what it means to be human. This longing is offered with radiant imagery and tender humor. The result is moving and memorable.

The opening poem, “Sea Creatures of the Deep,” acts something like a preface to the story being told. The poem introduces the real landscape of the sea and corresponds to the very beginning of human life, evoking our dimly remembered existence within the inter-relatedness of the whole in which we act as individuals. Though not addressed to a deity, one of the emotive elements of the poem is similar to a hymn of awe and gratitude: “O sockeye O rock sole O starry flounder / O red Irish lord O spiny lumpsucker.”

The antique "O" is both appropriate to the ageless creation of which the poet sings, as well as an introduction to the sweet amusement that acts as a foil and accent to the lyricism of this poet's work . Although this tone continues through the poem, we also immediately meet the primary conundrum of how to find an ecological niche to survive in:

Dear threespine stickleback, sweet broken-backed shrimp─
hear the dreaded voices from the balcony. You're the blind

taking the bull by the horns. You're snow on a stick,
a stuck jukebox, a ribbon-swamped trike. O gum boot,

O lemon peel nudibranch─do not fear the leafy horn-mouth;
dogwinkle and moon snail walk the floor and burn their bridges.

Through the abundant detail of various species, Snyder-Camp invokes both the existence of the individual and the context of the group. Note again how the disarming, wry humor co-exists with the fear and danger necessarily produced by living in the world. They are a symbiosis within this poem.

Lonely whitecap limpet, days are not true. You stand on one foot,
And we brush past. To live a life is not to walk across a field.


Pity the ghost shrimp, heart on his sleeve, or the glassy sea squirt,
Run through with tears. O to have gathered no moss, to know a clam's

muddy joy. You shut with a snap, you blur with silt, you poke
among the barnacles. A bunch of one-trick ponies, even brave wolf-eel.

Finally, Snyder-Camp closes this poem with what, to me, is a short meditation on how little fear can do to protect an individual, and the purpose of poetry and art: “Cornered, the plainfin midshipman sings when afraid. / They say it fears only the elusive cloud sponge.”

And now I have quoted the entire poem. I have done so because this poem is brilliant and pleasurable to read; it is even a pleasure to type.

There are many more pleasures that await the reader in this volume. I think the quote that she places after this initial poem summarizes her intent in this work: "There ought to be one place you thought about and knew about / And maybe longed for─but never did get to see."

Megan Snyder-Camp has been given awards from the Bread Loaf Writers' Conference, the Espy Foundation, Djerassi Resident Artist Program, and the Helen Riaboff Whiteley Center.

You can purchase this book through the Tupelo Press website here or through Amazon.com here.

Thursday, February 24, 2011

Foreign Tongues: հայերէն (Armenian)

HFR publishes contributors from all over the world, in languages and from places that some people (we're not pointing fingers) have never heard of. This recurring post Foreign Tongues will give you a little culture and a little history, a way to better understand the background behind some not-so-familiar peoples and languages.

This time around I decided to tackle the Armenian language and culture with a little help from Diana Der-Hovanessian and the internet. In HFR #47, there are several poems by Armenian poet Vahe Arsen, translated by Diana Der-Hovanessian.

So, first things firstfirst things being a little bit of background on Armenia. Armenia is in the middle of things. It's in the middle of a juncture of the land masses of Western Asia, Northern Africa, and Eastern Europe, in the Caucaus region, with a lot of countries surrounding it, including Turkey, Georgia, and Iran. For those of us who are image-oriented, there's a world map with Armenia marked on it in green to your right. It was part of the Soviet Union before that was dissolved. The language has a script unique to itself, which I find looks like English just enough to confuse me when I see it out of the corner of my eye (meaning it doesn't really look like English at all).

Looking around. I found some interesting people with either Armenian heritage, citizenship, or, of course, both. The band members of System of a Down all can lay claim to Armenian heritage. So can the guy who invented the color TV, the inventor of the MRI, and the one who invented the PET scan.

The list shows a painful de-emphasis of the arts in Armenia. Even Vahe Arsen has pointed out Armenia's lack of attention paid to literature. Why? It's not because what's been written is so horrible Godzilla would run away from it. Der-Hovanessian described the Armenian language as "a very musical language" when I asked, and she adds that the hardest part about translating Armenian poetry into English is that "the poem's music is easy to lose in a second language." Their language is beautiful, their poetry is musical. In the translation of Arsen's poem "Allegory," (one of the poems Der-Hoavnessian translated for HFR) the language gets your ears involved in the reading, like in the lines "The wind singing a ghost song/ is interrupted by a wheezing/radio whispering the allegory/ of rain that lasts/ a hundred years." The mystery then is why the lack of emphasis on literature, on the beauty of the language as it is written down? Der-Hovanessian also gave me some insight into this by telling me, "the third main [cultural] influence [on Armenian poetry] is the genocide of 1915 by the Ottoman Turks that removed three-fourths of the population (the entire readership) and that genocide started with the execution of 250 poets! Poets, who wrote in oblique ways to give hope to the people were the first to be jailed and killed. Then the entire population was uprooted...That would be a big influence on literature, don't you agree?"

Thankfully, poets and writers haven't been completely wiped out in Armenia (although is it really possible to kill art completely?), and even better, translators like Diana Der-Hovanessian bring that art to us, encouraging the Armenian writers even more.

This Week in Literary History: To Live, To Die, To Love, To Doodle

There are two things that bind together the three writers featured in This Week in Literary History: 1) They are all dead. 2) Like the rest of us, they all doodled.

Monday, February 21 was the birthday of postmodernism heavyweight David Foster Wallace. He would have been 49 this year. Like all the greats, DFW has seen a vast growth in readership since his death: he has two books coming out this year - Fate, Logic and Language: David Foster Wallace's Essay on Fatalism and his follow-up novel to the infamous Infinite Jest, the unfinished The Pale King. Last year, The University of Texas at Austin acquired the David Foster Wallace Archive, consisting of manuscripts, books, childhood and collegiate writings, and a whole bunch of other miscellany. Along with the archive came parts of DFW's home library, including his personal copy of Cormac McCarthy's Sutree, where Wallace showed off some of his artistry:




Friday, February 25 marks the anniversary of Sylvia Plath and Ted Hughes first meeting at a party in London. Plath wrote about the encounter in her diary (a selection of which can be read here), saying that when he kissed her neck, "I bit him long and hard on the cheek, and when we came out of the room, blood was running down his face." Sounds like the start of a sturdy relationship to me! If you read her diary, you'll not only find little vampiric gems like the above, but also cute little doodles of Plath being chased by a hot dog and a marshmallow:



Finally, Wednesday, February 23 is the anniversary of John Keats death in 1821. Keats is yet another famous doodler, however I scowered the internet to find a single picture of the flowers he allegedly drew in the margins of his medical notebooks, and found nothing. Nada. There was once a link to a video that supposedly contained footage of the elusive doodles, but the video no longer exists. If you can find the pictures, send them to me!

Pick up Issue #26 of Meridian for some more author artwork. The issue contains illustrations from the manuscript of Jorge Luis Borges that are really great. Here's a photo from Flavorwire, the unofficial sponsor of this post because they are the ones who initially wrote the article and gathered the images for a post on author doodles:



Subscribe to Meridian to see more of Borges manuscript artwork and then check out Flavorwire to see some other famous authors' doodles.

Wednesday, February 23, 2011

AWP 2011 Cover Challenge - Day 6

Alright, HFR devotees. This is it. The final day of our AWP 2011 Cover Challenge. It's been a week filled with heartache, triumph, and hilarity, and today's question won't disappoint. The focus of the question is the front cover, but these answers are all over the place (in the best possible way.)

What's the plot of the Netflix movie in the mail slot?

1. Killer nuclear rats attack a cabin in the woods!
2. Feral child finds family to love.
3. Zombie Love Affair: The Musical.
4. Swine Flu and You: A Porcupine Learns to Fly.
5. Trick question. The TV was the first thing the repo man took.
6. Teaching Your Child the Basics: Sit, Heel, and Down (Vol. 1)
7. Synycdoche, NY
8. Rochelle, Rabbit Detective, Investigates a string of garden-related murders.
9. The Bar is Low.
10. Neuter Moron Disease II.
11. "Learning to Dog-Walk in Too-Big Shoes."
12. Mail-Order Mama
13. Elf Annihilation: When Dogs Attack.
14. Antichrist
15. "There Will Be Mittens."
16. "Freddie the Talking Dog Learns French."
17. The Lurking Verb
18. Where's the Rooster?
19. "The Circumspect Penis."
20. Godzilla Comes to Snowville.
21. The Prince Loses his Mind.
22. The Rooster Isn't Really Male.

Remember, this is the last question, so make sure your answers make it into the comments section below! Voting for all questions is open through Thursday night, with winners announced Friday Morning on Facebook and Twitter!

Tuesday, February 22, 2011

AWP 2011 Cover Challenge - Day 5

Yesterday's question was a doozy, and today's has some equally great responses! The star of today's question is the dog on the front cover (seen at right, if you need a refresher.) There's only one more question after this one, so make sure your votes get cast in time. Remember, the winners get free subscriptions to Hayden's Ferry Review!

What did the dog chew up that morning?

1. The small child
2. He ate the girl's parents so that he could recruit the girl to complete his demonic acts -- beginning with a Voodoo chicken sacrifice.
3. A frozen bunny.
4. The boy's father's crisp, clean, submission, all ready to be mailed, to Hayden's Ferry Review.
5. The concept of Dog-ness
6. The UPS guy.
7. Nothing. The baby did it. Babies ruin everything.
8. Bees.
9. His sheet music.
10. The stuffed squirrel. He would have preferred it not be stuffed, but they don't allow him outside, so stuffing and memory have to suffice.
11. The rooster's comb
12. The owner of the red mittens (and look at the dog's face, the girl was obviously delicious and a little hallucinogenic!)
13. The white curtain behind the current UPS delivery truck (that's why the UPS curtain/blanket is up on the window - to hide the hole in the white curtain.)
14. What was left of my love for you.
15. "Uh, where'd my sister go...?"
16. My unpaid parking tickets, thankfully.
17. My life.

Vote for your favorite answer in the comment section! And vote for any days you might have missed in the posts below; voting is open for the whole week of the competition!

Website of the Week: 'RAW:natural born artists'

The people at RAW:natural born artists sent us an e-mail this week, talking about the 3-week tour they just returned from to promote their expansion from just six cities in California to sixteen cities across the US (including HFR hub, Phoenix), and I thought such artistic ambition is worthy of mention on our 'Website of the Week.'


RAW:natural born artists is an independent arts organization that showcases work from local filmakers, visual artists, performing artists, musicians, fashion designers, photographers and more (sadly no creative writing that I can see - Editors! Get on that!). In addition to being featured online, selected "RAW:artists" have their work showcased in a monthly art show held in their hometown; something RAW:founder, Heidi Luerra, called a "circus of creativity" where all genres and mediums are brought together under one roof.

I liked the website because it's promoting local art work and providing an opportunity for those of us who don't live in the big artsy cities like NY & LA to have our work showcased on a really cool, really innovative platform. They've already jumped from 6 cities to 16, with plans to move into 6 more by the end of this spring.

If you're interested in submitting your work, do so here.

Monday, February 21, 2011

AWP 2011 Cover Challenge - Day 4

We spent a weekend away, but we're back with a bang for today's question. The answers are pretty lengthy today, and are funny enough to scare away even the most serious case of the Mondays. As always, the question involves the cover of the current issue, Issue 47, which can be viewed, both front and back, on Day 1's post!

Where are these kids' parents?

1. O'Hare Airport
2. in Tibet
3. Chicken shopping
4. Drying out in Biarritz.
5. Whichever side of the house it's Autumn
6. On Capitol Hill lobbying for more funding for education
7. Hiding in a closet, talking on the phone so no one will hear how much they hate snow days.
8. My God! We've got kids?!?
9. Liberating Egypt!
10. Being taught humanity by a pack of feral dogs.
11. Mom is a UPS worker, dad is a poet writing at home. They are in the UPS truck making love in the middle of the letters and parcels and the important errands of other beings.
12. Mom is an out of work egg gatherer at one of those big, windowless chicken factories. The reason she's out of work is because the free-range egg farm next door is taking their business away. She's not at home because she's in a poetry workshop. Dad is a jockey, riding in The Breeder's Cup.
13. Upstairs in bed making love and torturing each other. They won't be downstairs for another hour, when mom throws dad's laptop out the window (it's filled with gay porn). They come downstairs smiling, hand in hand, and play outside with the kids.
14. Juniper Diaz, indentured as she was by her husband to the navy, now resides in Fort Lauderdale, Florida, peeling potatoes and mopping decks on the USS Denial. Frank Diaz, the most infamous cock fighting ring master since Napoleon released 4,000 roosters on the Basques, now resides in Leavenworth Federal Penitentiary, devoting much of his time to inscribing poems about mules into his cell block walls.

Votes go in the comments, per usual, and remember to watch out for tomorrow's question. Our Cover Challenge continues this week, and you can always vote on a past question!

Saturday, February 19, 2011

AWP 2011 Cover Challenge - Day 3

Our Cover Challenge is rolling along, and we've still got more up our sleeves! Today's question is all about the front cover, which can be seen to the right of this post (no, your other right) or below, on Day 1's post.

Why are there so many locks on the door?

1. So the rooster can't get out and the crazy snowchildren can't get in.
2. Because Homeland Security had announced that the current Threat Level is Orange.
3. The seed of Satan's child mustn't be let out.
4. The locks like licking hands, more for the salt than the cells.
5. Why not? It's sunny out one window and snow out the other, after all.
6. 9/11
7. To keep the children in.
8. Cuz I lives in Arizony! Heh Heh hee!

You know the drill, folks. Deposit all votes in the comment section below (you don't need to be a blogger member to vote!) and stay tuned for the next question! It's bound to be saucy...

Friday, February 18, 2011

AWP 2011 Cover Challenge - Day 2

We're at it again! Today's question involves the UPS truck on the back cover. If you need a refresher, the image can be found on the post for Day 1's question!

What's the UPS Guy dropping off?

1. Furniture
2. Previously owned parents
3. A giant crystal chandelier
4. A big rooster for a little girl
5. I thought the dog was the parent (???)
6. Mini Michael Jackson's (to go with the mini Neverland Farm)
7. Child harnesses
8. A Farmer's Almanac
9. The other boot
10. The kids at the pool

Leave your votes in the comment section, and the winner will get a free subscription!
We've got a whole week's worth of questions up our sleeves, so make sure you're voting every day!

News Around the Net

The difference between a great American novel and a Great American Novel. You guessed it: gender. Also apparently a certain level of obnoxiousness.

Then there's this. Here's to hoping there's really weird sex scenes and includes that fantastically absurd plane chase scene. I think this trailer actually managed to make building railroads seem exciting.

An essay on blurbing or not blurbing. I would probably be in the camp of not really wanting to blurb. I enjoy being able to read what I want, but that's just me.

So, uh, I think it's safe to say Barnes & Noble and Amazon won this fight, right?

Finding a literary agent, the hard way. And also the drunk way.

Here are some things that Kurt Vonnegut said (or, I guess, technically, wrote) better than anyone else ever has or will. Or so says this blog post. Which I tend to agree with.

A Letter from Ralph Waldo Eggerson

We recently ran a contest through our Facebook page to name our chicken. There were many hilarious suggestions, but there could only be one winner. Alexandra from AZ was that winner, and the chicken is now named Ralph Waldo Eggerson. Ralph took the time to write a congratulatory letter to Alexandra, and would like to share it with you.





Dearest Alexandra,

Congratulations once again on your first-rate chicken-naming skills. For many moons I sat, unnamed, feeling like just another chicken in this large, lonely world. Your name, both witty and dignified, suits me perfectly. I now feel complete, and cannot wait to sign my name all over the Virginia G. Piper Center. Perhaps our paths will cross one day, and allow me to thank you properly. Until then, please accept this subscription to Hayden’s Ferry Review as a token of my sincerest gratitude. Enclosed are also some photographs of me taken in and around the Piper Center.

Yours truly,


Ralph Waldo Eggerson

Thursday, February 17, 2011

AWP 2011 Cover Challenge - Day 1

The staff here at HFR recently attended the AWP Conference in Washington, D.C. Although our chicken (who was recently given the name Ralph Waldo Eggerson) was the star of the conference, we also had some fun with the cover of our current issue. We asked people questions related to the cover image, and ended up with some great responses.

Every day, we'll post another question and its accompanying responses, and let you, our readers, vote for your favorites. The answer with the most votes will not only get featured on our Twitter and Facebook, but the winners with also get a free subscription!

Today's Question is: What song is playing on the radio?

1. The Kidz Bop version of "99 Problems"
2. "Home Sweet Home" by Motley Crue
3. "Smooth Criminal" by Michael Jackson
4. "Proud Mary" by Tina Turner
5. "Too Much Booty in the Pants" by Soundmaster T
6. NPR
7. "Wild Thing" by The Troggs
8. "Peter and the Wolf" by Sergei Prokofiev
9. "All Along the Watchtower" by Jimi Hendrix
10. "Respect" by Aretha Franklin

Cast your votes in the comment section, and be sure to check back tomorrow for another question!

Wednesday, February 16, 2011

Californ-vacation


How about southern California for a change? The Southern California Writers' Conference hits Newport Beach in late September. Here are a few questions we had about the event that Executive Director, Michael Steven Gregory, was happy to answer for us.

1.) Why there? Why then? (What atmosphere can participants expect to experience? "Readings? Panels? Night Life? Extra-Curricular?")

Whether in San Diego in February, or Newport Beach come September, one of the things we've long prided ourselves in with the SCWC is fostering a greater sense of community, and making it first and foremost about the conferees -- addressing their immediate needs in a beautiful, spirited, highly accessible environment. As so many writers work in complete isolation, too often removed from empirically qualified on their work, we strive at each of our events to quickly bust through the rigid, overly-serious, pinched-brow atmosphere pervasive at many conferences, assuage the fears and trepidation many new writers carry when exposing their work for the first time, and simply have fun in our collective effort to help make their work suck less on the final day of the conference than it may have on the first. That's our motto: "I suck less at the Southern California Writers' Conference!"

Between the informational and troubleshooting sessions to our late-night read & critique workshops, which can go on anywhere from midnight 'til six in the morning, we have fun working hard to better empower the modern author.

As far as extra-curricular activities are concerned, an SCWC weekend is about the writers and writing, not Sea World or shopping, or even non-writing spouses. In fact, we're dedicated to getting as much work done in the bar as any given workshop. And we do.

2.) Walking away smiling? (What will participants gain from this conference i.e. what aspects of craft will be focused on? "Character,dialog, theme, structure, action, plotting, etc.etc.?")

Beyond the dozens of interactive troubleshooting, informational, and read & critique workshops addressing myriad aspects of story and execution, a great deal of time and attention is paid to current industry trends, author marketing strategies, platform building & branding, as well as new & future technologies that can aid authors of every ilk in launching or sustaining a successful career.

3.) "Amateur at best" or "The best, no amateurs?" (What level of writers will benefit the most from this conference?)

The SCWC has facilitated nearly $4 million worth of first-time author's book and screen deals over the past 24 years. It is geared for writers just starting out, as well as those accomplished professionals switching genres or simply uncertain whether or not their new material is working. In our estimations, the level of the writer is less important than our ability to provide the writer the needed information for her to achieve her publishing objectives, whether with book-length work or feature articles, poetry, screenplays or otherwise.

4.) Where can one hang one's hat? (What kind of accommodations are there for conference goers? "Participating Hotels, package deals? Transportation?")

Our San Diego event takes place every Presidents' Day Weekend in February at the Crowne Plaza Hotel, located mere minutes from historic Old Town, the popular Gaslamp District, world famous San Diego Zoo, and Sea World. Our Newport Beach conference, the last weekend of September, takes place at the Hyatt Regency Newport Beach, a wonderful resort, only a short jaunt from John Wayne Airport in Irvine. Both hotels offer discounted lodging for SCWC conferees, so long as bookings are made before the respective deadlines, as well as shuttles to and from the nearby airport.

5.) Who are these people? (How and who gets selected for the privilege of leading/teaching these workshops?)

The SCWC features a large and growing roster of accomplished authors, editors, agents and other publishing professionals. On the agents front, specifically, we only allow aboard those who are actively seeking new clients. As literary agents find themselves becoming increasingly irrelevant within the industry, more are turning to writers' conferences as an easy means to spend free weekends in beautiful locales, without having any genuine intent of cultivating, let alone representing, fresh talent.

For the conference's official site click Here
For a look at other conferences highlighted on our blog click Here

Tuesday, February 15, 2011

A Cup of Ambition: The Greeting Card Writer

We've all heard it before, at dinner parties, from relatives, from our therapists: "Oh, you write. Does that mean you'll be a teacher?" Fine, fine. We can't make enough money to "eat" or "live" from our poetry. Every MFA graduate knows the horrible feeling that settles into his/her stomach as graduation approaches. You finished a whole book!, you keep telling people. And still, no prospective employers come a-calling. Here at HFR, we know how you feel. We thought it might be interesting to take a closer look at some jobs we writers and lovers of books might enjoy. Or do enjoy. Or have tried, and regret. This regular post, A Cup of Ambition, will talk to those in-the-know about what the working world is really like. (To see our previous interviewees, click here.)

Introducing...
Suzanne Berry; Senior Writer II; Hallmark Cards; Kansas City, Missouri.

The Job
As you might imagine, my job as a Hallmark writer is largely to write greeting cards. I write the messages found on virtually any kind of card you can think of—from Valentine’s Day and Christmas cards to those you’d give a friend who’s celebrating a success or dealing with a setback. I write for all occasions, and in just as many styles or voices—from playful and funny to serious and inspirational. Working at Hallmark, though, I also get involved in lots of stuff beyond writing cards. We have an in-house book publishing division, so I’ve had the chance to write some children’s books, as well as some about moms and holidays. Writers here are also called on for their overall creative and emotional expertise, so we’re regularly brought in to help brainstorm and build on ideas coming through product development, to come up with clever names and taglines for a new product or business, and to write for Hallmark’s online or digital formats.

Getting Started
The simple answer is that I landed a creative writing internship with Hallmark while I was in college. I filled out the portfolio they asked for, got one of the few coveted spots, and spent a summer learning how much goes into this curious but amazing job. When I graduated with my English degree, I gladly came back to work for Hallmark full-time at their headquarters in Kansas City.The whole truth, though—as any English grad knows—is that it wasn’t quite that easy. Attending a small liberal arts college and studying literature and creative writing, I went through the requisite anguish of trying to figure out if I was doing the right thing, and if so... what to do once I graduated. In retrospect, I’m really glad that I stuck with what I loved. Because once I stopped sweating it and started thinking outside the box, I found the perfect job. To anyone who’s still in that squishy place of uncertainty, though, I’m here to tell you there are jobs for our types outside of teaching, and really satisfying ones at that.

The Good
For one, I love the creative environment I work in. Hallmark’s one of the biggest employers for creative professionals in the world—which means there’s a full stable of artists, designers, and wordsmiths to rub elbows with every day. Working alongside that kind of talent automatically makes coming to work about a thousand times better than a number of other jobs I might be doing.But on a deeper level, I love that this job combines so many things that personally matter to me... a love of words, a commitment to caring for others, and this slightly hippie notion that what you do in life really can make a difference and bring about a little more love in the world. It’s a good feeling at the end of the day to know your words will make someone out there smile or feel remembered, cared for, or loved.

The Bad
Like other writers, I think one of the hardest things about doing this for a living is having to face the blank page day after day. And in my particular job, that intimidation factor gets compounded by the little voice reminding me Hallmark’s been in business over 100 years... so how could I possibly come up with a new way to say “happy birthday” or “I love you”?But of course, the not-so-big secret is that there’s always new creative material out there, and the only way to get to it is to just start writing, even if you have to write all the bad stuff out of your system before you get to a seed of something interesting. As a wise mentor once told me, the only cure for writer’s block is to write. It’s as simple and complicated as that.

Surprise Me
I think most people would be surprised by the level of difficulty involved in doing what I do. It seems simple at face-value—just a few nice words and you’ve got a card, right? In reality, the job takes a pretty extraordinary amount of craft. Every single word counts when you’re working with that small of a “canvas,” so you have to hone your writing down to the most essential, most evocative, and most universal elements possible, much the way a poet does. Editing is everything.The other paradox is that we’re not writing for one person; we’re writing for the masses. And yet a card is an intensely personal medium and should feel like it was written just for the two people exchanging it. So finding the right balance—between universal yet personal, accessible yet evocative—is actually not as easy as you’d think. The other thing I think people would be surprised by is that being a writer here isn’t just about being good with words. It also requires having empathetic instincts, emotional intelligence, and some knowledge of psychology. The words on the page are only half of it. Understanding the lives and relationships behind the words is the real job.

Spin a Yarn
To give you an idea of the breadth of stuff I touch within Hallmark, this week alone, I’ve written Christmas cards, romantic cards, and cards for “celebration of life” memorials. I’ve finished a revision on a children’s book coming out later this year, come up with ideas for a new line of gifts, and done some research on both social networking and spirituality. As a native Midwesterner who’s all too familiar with drastic swings in temperature and meteorological events, there’s a common saying we have that also speaks to my experience as a writer at Hallmark: “If you don’t like the weather around here, wait a day.”

Who would make a good greeting card writer?
Personality-wise, I think I’m like a lot of writers in that I’m naturally fascinated by people. I’m an enthusiastic people watcher and—truth be told—eavesdropper. I never get bored paying attention to how people and their relationships tick. As I said earlier, this job also requires a pretty big dose of empathy and emotional smarts so you can step inside another person’s relationship and understand the complicated dynamics going on there. Before I ever write a word, I have to understand what someone’s feeling, why they’re feeling it, and how they want to express it. I’m constantly slipping in and out of other people’s shoes. One other personality quirk well-suited for this job is a willingness to disappear, ego-wise. The writing I do isn’t driven by my voice, personality, or agenda, but by those of thousands of other people who use my words but will never even think about me, much less know who I am. That kind of writing may not be for everyone, but I happen to find it kind of thrilling. It’s like I’m a secret agent in people’s emotional lives, helping them say what needs to be said.

How do I become you?
To quote jazzman Charles Mingus, “Making the complicated simple, awesomely simple, that’s creativity.” Not only is that creativity... that’s my job. So if you think you’re up for that challenge, and you enjoy both studying and writing for real-life people, you might consider my line of work. Want to know more? Take a look at the careers section of Hallmark’s website.

Website of the Week: Back to the Future

Irina Werning wins the prize for coolest/most creative/best photo project I've come across recently. She is self-admittedly a snoop ("As soon as I step into someone else’s house, I start sniffing for [old photos]"), and recently decided to put her snoopiness and curiosity to work. And so, Back to the Future was born. Werning has taken old photos of friends and then invited said friends to recreate the old photos as accurately as possible. The results are pretty amazing. Seeing all the youth and vivacity in the older pictures contrasted with the compound interest of years spent trudging through the shitstorm of adulthood left me feeling kinda nostalgic for these people I don't even know. But despite that, the photos are all still pretty damn funny. Your initial reaction is to laugh, and that's awesome, but I would argue the photos accomplish more than just that: they reveal something about the individual. It's like looking at two end points on a graph and leaving your imagination to fill in the highs and lows that fall in between based on acquired wrinkles, body-fat ratio, hairiness. Werning's attention to detail is what allows us to start drawing these conclusions about the subject's life and is what makes this project truly special. Thumbs up.

Irina Werning: Back to the Future





Friday, February 11, 2011

News Around the Net

How do respond to a bad review. Cry? Threaten? Call reviewer racist? All of the above?

The spring issue of The Paris Review has been announced. It includes a serialized version of Roberto Bolano's last novel, a year before it's set to appear in book form. Parts will appear in all four issues this year.

Let's continue this game: Would you rather read Snooki's memoir (from two weeks ago), Kiss drummer Peter Criss's memoir from last week, or this one?

Apparently, Martin Amis thinks children's literature is below him. Mention Maurice Sendak to him and you're liable to get a punch in the face.

Why literary magazines are better than popular magazines. Warning: involves math (not really).

Apparently without enough blame to go around, book reviewers direct the blame for gender disparity in books that receive reviews to the publishing houses.

Thursday, February 10, 2011

Issue #47 Contributor Jocelyn Lee Releases New Book

Back in November, she picked up representation by one of the world's premiere artist management companies, and now Jocelyn Lee has something else to be proud of: the release of her new book, Nowhere But Here.




The book is a culmination of 10 years worth of work for Lee, and as her publisher writes, "Jocelyn Lee encourages us to think about eternal issues such as youth and age, our connections with one another, our relationship with nature, and the place – or places – we call home."

Pick yourself up a copy.

Congratulations Jocelyn!

Wednesday, February 9, 2011

Gonna be in NY for March 2nd?

Electric Literature lit mag is hosting a contest with a twist. A short work of fiction (500 words or less) by a previously unpublished writer, will be performed at Symphony Space by a world-renowned actor, and broadcast on Public Radio International.

On Wednesday, March 2, Selected Shorts is hosting an Evening with Electric Literature. Mike Birbiglia, John Lithgow, and others will perform stories by EL contributors Rick Moody, Lydia Millet and Joy Williams.

You must be a ticket holder to submit to the Electric Shorts Contest, co-hosted by Electric Literature and Selected Shorts. The contest will be judged by Rick Moody and the winning story will be read on stage at Symphony Space by one of the evening's performers, and featured on the Selected Shorts broadcast.

Beth says if John Lithgow read a story of hers she would die happy. Hmm.

For tickets and event details click here. For submission guidelines, click here.

Tuesday, February 8, 2011

Unusual Calls for Submissions

100 Word Fiction Contest: Stymie
Submissions will be accepted December 1, 2010 to March 15, 2011. Submissions must be 100 words or less. There is a $5 entry fee. Stymie Magazinewill publish the winning short story along with a selection of otherfinalists as part of a limited edition Trading Card Fiction setavailable in mid-2011. The winning story will receive a cash prize of$150 and a complimentary Trading Card Fiction set (as will the other finalists). Submission Guidelines: * Stories must be no more than 100 words in length. * No submissions maximum per entrant, though each entry must be made separately. * Please do not simultaneously submit contest entries to another magazine or contest. *The submissions link will be active December 1, 2010 to March 15, 2011.All work must be submitted through our electronic system. We cannotaccept paper submissions. * Winners will be announced in the latespring. Entrants will receive an e-mail notifying them of any decisions regarding their work.We are currently accepting entries via our Submissions Manager.

SURREAL SOUTH 2011: GHOSTS AND MONSTERS
Press 53 . PO Box 30314, Winston-Salem, NC 27130-0314. Link to submit work for this anthology can be found here. “The man who cannot visualize a horse galloping on a tomato is anidiot.”—Andre Breton. Our definition of the surreal includes dream stories, horror stories,monster stories, insanity, magical realism, the distorted, the peculiar, the impossible, and the irrational. We have as part of our mandate some small reconciliation between so-called "genre" fiction and so-called "literary" fiction. The southern part? The writer needs to be associated with the geographical American south (born, living, spent time in prison or otherwise dallied somewhere south of the Mason-Dixon) or the material needs to be plainly set in or derived from the South.

Eat and Drink
Ruminate: Faith in Literature in Art is currently seeking fiction, nonfiction, poetry, interviews, and reviews for Summer Issue 20 on the theme "Eat and Drink". The deadline is February 15. Artists interested may submit online at ruminatemagazine.org. And for more information,please email us at editor(at)ruminatemagazine.org (replace (at) with @ in sending e-mail).

A Bird in the Hand: Risk and Flight
TallGrass Writers Guild Literary Anthology/Contest GuidelinesSponsored by Outrider Press in affiliation with TallGrass Writers Guild. Our 15th year of acclaimed annual anthologies! Postmark Deadline is 2-27-2011; Email outriderpress(at)sbcglobal.net or tallgrassguild(at)sbcglobal.net (replace (at) with @ in sending e-mail). Planned publication date: late summer/early fall 2011. Working title: A Bird in the Hand: Risk and Flight. We interpretbroadly, and welcome work on the natural world with literal birds, but also seek work on any kind of risk and/or flight, metaphoric or otherwise. Could mean a plane or helicopter flight (terrorists? Huey helicopters in Viet Nam?) or risking the savings account at the roulette tables in Atlantic City. Don’t overlook emotional risk or fleeing from difficult/toxic situations (family holidays?). Consider flight from the law or, perhaps, a vengeful ex with a gun and poorimpulse control. Especially interested in poetry.

Perspectives on Barry Hannah
VOX PRESS, in conjuction with the well known online journal, Drunken Boat, is compiling a collection of perspectives on Barry Hannah. If you have any perspectives on Hannah's work or personal accounts or both(a merging of the two would be ideal), send them as attachments to louis-bourgeois(at)hotmail.com (replace (at) with @ in sendinge-mail).The essays can be any length. Initially the essays will appear at Drunken Boat but eventually they will be collected and published in a book via VOX PRESS. There may be money involved when VOX takes over the project in earnest. All rights revert back to VOX and the authors.

Announcing A PenTales Short Story Contest.
PenTales and Dan Rasmussen, New York Times best-selling author of American Uprising: The Untold Story of America’s Largest Slave Revolt, are looking for inspiring stories from around the world on the theme Revolt.Submission Guidelines: Write us a short story (500 words or less) on the theme of Revolt. This contest is open to anyone, from published writers to budding storytellers. All submissions must be original, unpublished work. If your short story is in a different language, please provide a valid English translation. Writers are invited to send in only one submission to this contest. Please note that we will not consider stories longer than 500 words and stories that clearly do not relate to the topic. More here.

Sex in 100 words anthology seeks submissions
THE DEADLINE for the 100 Words Anthology has been extended until March 1, 2011. Here's the original call: It's notoriously difficult to write about sex. As even the most inventive writers struggle to capture its utter fabulousness, this most visceral and energized experience keeps looping around to its own staid, repetitive language. There are varying levels of heat (hot, sizzling, torrid); a running X-rated soundtrack (moan, scream, grunt) and the inevitable parade of pounded, perspiring and manipulated body parts (breasts, butts, rods). If you've read one (jerk, cum, rigid), you've pretty much read them all (suck, damp, spurt). The poems range from the dryly clinical (vagina, testicles, areola) to the unintentionally comedic (dripping honey pot, throbbing member). So how do we re-energize and reinvent the sex poem? We identify the 100words that are the most blatant offenders, and we declare them off limits. That forces us to examine the act without the customary escape routes, those words that say "I don't know how to say this, so I'm saying this." Here's a chance to muse upon the loss (or rediscovery) of yourvirginity, the best or worst you've ever had, illicit sex, purchased sex, sex toys, illegal sex, teenage sex, geezer sex, sex in the news, dangerous liaisons and fumbling first attempts. Use your imagination, but don't use THOSE WORDS--and be sure to look for unexpected entrypoints (oops) into your work. Utilize persona, shifting perspective, nonce forms, etc. No scratch-and-sniff, please.For a list of the forbidden words, please email 100Wrds(at)gmail.com (replace (at) with @ in sending e-mail). Submissions will be accepted at the same address. Please, no more than three poems per submission, and no previously published poems. No publisher has yet been wooed for this project, but the search is on.

Friday, February 4, 2011

News Around the Net

We just passed the one year anniversary of J.D. Salinger's death (already!?). Is it possible he was a normal person, fond of tennis and Burger King, possibly not as much a urine drinking recluse as we thought?

More on Salinger: Great essay about searching for and finding some lost stories with some awesome titles.

Men vs women publishing in major literary magazines. Some pretty staggering numbers here. Yikes.

Here are the National Book Critics Circle Award finalists. That's a mouth full. And yes, Franzen did make the cut on this one. You can exhale now.

For the past four years, Yann Martel has been sending the Canadian Prime Minister a book every two weeks, a side project of his. Evidently, the Prime Minister was not impressed.

Which would you want to read less, Snooki's memoir (from last week) or this jewel of American literature (which I'm positive it will be)?

Book Review: The Terror of Living by Urban Waite


The Terror of Living by Urban Waite, 2011. Little Brown and Company, New York, NY. Review by Debrah Lechner.

The Terror Of Living is a purebred, full-blooded thriller. If you want a book that will keep you up all night and make you look forward to coming home to finish it up the next day, this is all of that.

My enjoyment of the novel was increased by the variation in characters. All are flawed, and the hero is criminal, but is also more than that. He's human; he's compassionate; he's realistic about who he is; but the trouble in which he becomes entangled inspires him to transcend the limitations he was once content to live with. At the same time, there is also a vicious killer in the mix, and I do so appreciate unrepentant psychopathology in a villain. Along the way, the reader will meet a number of other well-drawn characters, including an engaging law-enforcement officer and a woman who is motivated by love, but is not a stereotypical character.

The plot is absorbing, building through several harrowing and violent crescendos to a satisfying finale. The setting is rural; finely drawn, easy to get comfortable with and settled into, which only makes the mayhem that ensues all the more shocking. The reader also comes to identify and empathize with most of the characters. It's reminiscent of Tony Hillerman, but with the terrifying twist of a full-throttle thriller.

The Terror of Living is going to take off like a bottle rocket when released this Monday, February 7. Remember that you heard it here first.

Urban Waite has published in a number of prestigious journals, including the story "Don't Look Away" in Hayden's Ferry Review, issue 42. For those of you who are interested in the process that writers use to produce their work, you will find two special treats below: the Hayden's Ferry Review Contributor Spotlight, written about and by Urban Waite himself in 2008, and the Hayden’s Ferry Review blog interview with the author in 2009.

Pick up an advanced copy of The Terror of Living, here.

Tuesday, February 1, 2011

Desert Nights Rising Stars writing conference

As a student of Creative Writing here at Arizona State University, I have had the opportunity to experience much of what is offered by the university to our literary crowd. Distinguished authors and poets are slated to come to campus every semester and give readings as wells as take part in the ever popular Q&A sessions held for the public. I have had the pleasure of attending a number of these events yet there is one event on the horizon which is going to be new to me. The Desert Nights Rising Stars writing conference is held annually right here on campus, and as an intern for Haydens Ferry Review I get the opportunity of going to it this year. For those of you who have never heard of it, and for those of you who have, and are interested in coming, I have put together a list of five questions that I thought particularly pertinent to have answered for my edification and curiosity, as well as for those who might happen along this post.

1.) Why there? Why then? (What atmosphere can participants expect to experience? "Readings? Panels? Night Life? Extra-Curricular?")

The conference is held in Tempe, on ASU's campus. We enjoy 300 days a year of sunshine and get to see a wide range of people and personalities. The area surrounding the 642 acre campus is bustling with a large number of eateries, and places for entertainment. Mill Avenue is a hot spot for students, tourists and locals alike. It has a varied selection of night clubs and bars, a couple movie theaters, and plenty of restaurants and shops. It's a blast just to take a nightly stroll down this strip and see all the characters of Arizona out at play.

The conference runs from March 3-6 and is aiming for a “renewed emphasis of developing fiction, nonfiction, and poetry in a true community of writers.” There will be an opening banquet along with introductions of faculty, and the first of many readings along with plenty of time to mingle amongst fellow writers and poets. Over the following days, participants get to partake in small group writing sessions, discussion classes, multi-faculty Q&A's, faculty readings, and there are also intimate Master Classes which are a bit extra in cost, but very beneficial to those wanting feedback on their manuscripts from some of the best writers out there.

2.) Walking away smiling? (What will participants gain from this conference i.e. what aspects of craft will be focused on?)

There is really going to be something for everybody here. Poets, fiction and nonfiction writers all stand to gain something from the classes taught by the distinguished faculty. Participants get the chance to hone their craft in the classroom with these accomplished writers, sharing dialogue during classes, readings, and other events. By keeping the number of participants small, participants are offered an experience that is both intimate and affordable, all while maintaining a commitment to be the premier writers conference in the west.

3.) "Amateur at best" or "The best, no amateurs?" (What level of writers will benefit the most from this conference?)

The conference brings writers of all levels together for four exhilarating days. There have been high school and college students, as well as members of the general public from near and far who have attended the conference in the past and have added to their varying degrees of writing and critical skills. For the more developed writer, the conference has much to offer but the master classes are highly recommended as well.

4.) Where can one hang one's hat? (What kind of accommodations are there for conference goers? "Participating Hotels, package deals? Transportation?")

Please see the lodging link.

5.) Who are these people? (How and who gets selected for the privilege of leading/teaching these workshops?)

Our writers conference is staffed by accomplished writers and teachers from across the country and beyond. I am personally very excited about getting a chance to meet Andrea Barrett (National Book Award and Pulitzer Prize finalist) who will be teaching a master fiction class. Other exciting names include, Gretel Ehrlich (Nonfiction Master Class Instructor), Tony Hoagland (Poetry), Naeem Murr (fiction), Antonya Nelson (Fiction), C. Dale Young (Poetry).

For more information and registration details please Click Here