Our inscrutable Managing Editor Chelsea Hickok has given us
a look into her position at HFR and a few tidbits about herself as well. In
this interview we will get a look at what it takes to assemble a body of work
into a gleaming literary journal.
Leslie Verdugo: Chelsea, can you tell me about your
responsibilities as managing editor for HFR?
Chelsea Hickok: I take care of the more logistical part of
the journal. I’m the one who gets in contact with the contributors to send them
publication agreements and to get their bios. I also construct the master list and
go through print bids to get the journal made.
LV: You really have your hands in the journal’s
creation. How long have you been with the magazine now?
CH: Since last fall, and I only did second reads
then. I then filled out an application for my current position, answered a few
essay questions, and here I am.
LV: Did you have experience for your current
position?
CH: I mostly learned as I went along.
LV: Nice. So when you were a reader for the
journal did you have a certain pet peeve or something you looked out for in a
story?
CH: I tended to avoid content based on the
college perspective because we all have a pretty good idea of what college is
like. Also there seemed to be a lot of cancer stories during my time, which I
found hard to get into beyond just knowing the author wanted me to be sad.
LV: Right, there was more focus on the fact that
they are victims rather than humans.
CH: Yeah, exactly.
LV: What year are you in now, Chelsea?
CH: I am now in my second year as a graduate
student in the MFA fiction program.
LV: Is there anything you are focused on in your
writing right now?
CH: I’m exploring the idea of food as it relates
to the human experience. Right now I’m working on a story of a man in search of
pelican meat.
LV: Wow, that’s an awesome topic to focus on,
and the story sounds like it’s going to be an interesting read. Do you plan on
staying with HFR?
CH: Yes, I do. I plan on applying for Editor
next semester, and with the new staff we are planning on reimagining the
journal.
LV: That’s pretty exciting! Speaking of exciting
did you do anything fun this summer?
CH: I went on a road trip to Seattle with my man
and a puppy named Wally short for Walter Pepercorn Peanut. We also call him Walnut.
LV: That’s adorable. I have also been meaning to
ask, what is the tattoo on your shoulder of? I can never get a good look at it.
CH: It’s the 1978 cover art for Virginia Woolf’s
novel To the Lighthouse. It’s a book a come back to year after year, always
taking away something new and illuminating about the human condition.
LV: I see, well thank you for your time and for
the insight Chelsea!
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Chelsea Hickok is working towards her MFA in Fiction Writing at ASU. She is currently the Managing Editor of Hayden's Ferry Review.
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