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Thursday, August 14, 2014

What My Father-in-Law Says - THE DOCK: August 2014


Happy August! Enjoy this poem from our author of the month, the talented David Ebenbach. 

HFRWhat responsibility do you feel in presenting these flawed but very empathetic characters in the form of a poem?

DEI'm glad you asked about responsibility. I think we writers could talk more about the issue of responsibility in our work---responsibility to our readers, to our loved ones, to our characters. In all those cases I think we need to approach the people with empathy and a readiness for compassion, an expectation that people become more complicated the more we know them, and an awareness that our writing can affect people for better or for worse. In this particular case, I was writing about a man who has lost one of his daughters---something that should never, ever, ever happen to a parent---and so it was all the more important for me to come to the poem with empathy. And I think that empathy, at a practical level, actually made the poem possible---it turned out I was only able to approach the enormity of this grief by coming at it through the more idiosyncratic, befuddling, and mundane things that characterize this particular man. Those things are a doorway into his humanity.

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What My Father-in-Law Says
David Ebenbach 

My father-in-law says things will be different 
when he’s emperor. He says, Only in America¸ 
even when it’s something every country does, 
like trains. He tells me he’s ready to help me 
with the spelling. He knows the years things 
happened. 1926, 1951. 2012. He stops, 
everything caught on a hook in his throat. 
But then he tells the automat story. He talks about 
old girlfriends, so much that his wife once 
started charging him, and then gave up. He says, 
I used to be nervous and jerky, but now I’m just 
jerky. He says, My daughters were perfect. They 
never gave me any trouble. Says it even now, 
after a year of ashes. My wife holds his hand. 
He says his other daughter’s name, 
sometimes. Says that things will be different. 


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David Ebenbach’s first full-length collection of poetry, We Were the People Who Moved, won the Patricia Bibby Award and will be published by Tebot Bach in 2015. He is also the author of the poetry chapbook Autogeography (Finishing Line Press), two collections of short stories—Between Camelots (University of Pittsburgh Press) and Into the Wilderness (Washington Writers’ Publishing House)—as well as The Artist’s Torah (Cascade Books), a non-fiction guide to the creative process. Ebenbach has a PhD in Psychology from the University of Wisconsin-Madison and an MFA in Writing from the Vermont College of Fine Arts, and he teaches creative writing at Georgetown University. Find out more at www.davidebenbach.com. 

2 comments:

Anonymous said...

Sorry to post in an inappropriate place, but--I would like to order a back issue of HFR but can find no way to contact it nor a way for people not living in North America to create an account. Is it possible for someone in Europe (Ireland) to order from you? and if so, how? Thanks very much.

Anonymous said...

Thanks for your interest! If you email us at hfr@asu.edu, we can see what we can do.